Jesse Kincaid & The New Rising Sons
Check back for upcoming dates at TASTE OF ROME
1000 Bridgeway, Sausalito, CA (415) 332-7660,
www.taste-of-rome.com/events.html 7PM-10PM. Great Food and Wines
February 25, 2012 Presidio Yacht Club, Sausalito, CA 8:30PM, $7
Just Cream presents the music of Eric Clapton & Cream
Saturday, February 4, 2012
Don Quixote’s International Music Hall
http://www.donquixotesmusic.info/
Tickets & reservations at Don Quixote’s
call 831-603-2294
The best tribute to Ginger Baker, Jack Bruce and Eric Clapton, better known as Cream!
Top 10 Reasons to support Your Local Music Store
CARLSBAD, Calif. , April 12, 2011—A recent nationwide Gallup poll found that 85 percent of Americans who don’t currently play a musical instrument wish that they did. Additional studies have shown that playing a musical instrument positively impacts children’s cognitive skills, in addition to building confidence, self-discipline, and helping kids and teens connect socially with their peers. One’s life-long musical journey begins at home and is nurtured at the local music store. In advance of the fifth annual National Wanna Play Music Week (May 2-8, 2011), the National Association of Music Merchants (NAMM) offers the following reasons why everyone should love (and visit!) their local music store:
10. A music store is knowledgeable. Whether you’ve been playing music for years or are a new player who recently took NAMM’s “
Pledge to Play,” your local music store has expert staff on hand to help and talk all things music. From advising on how to choose your first instrument to finding any accessory you need to keep on playing, your local music store can provide valuable guidance and resources.9. A music store is in your neighborhood.
Your local music store can get you on the path to playing music, and most are closer than you think. Visit www.wannaplaymusic.com to locate the nearest music retailer. You’ll be surprised to find that there might be more than one just around the corner!8. A music store is a community center
. Not only are local music stores an inspiring space for aspiring music makers, they are also a good place to find out about local music events and concerts, performance opportunities and to talk to other people with musical interests like you.7. A music store is reliable.
Local music stores want to make sure you are happy with your purchase and equipped in the best way possible to play the music you desire. That means they will help you select the best new or used instrument and accessories for your needs. When purchased at your local music store, any and all used instruments typically undergo a rigorous disinfecting process, so you can rest assured that your musical instrument is clean, safe, and will play as good as new.6. A music store is resourceful.
Whether you’re looking for a reed for your clarinet or want to know the very best way to clean your instrument, your local music store can help. If they don’t carry the part, local music stores will order it for you to ensure you get exactly what you need. Additionally, music stores have knowledgeable staff members who know and use the most thorough techniques to clean and sanitize your instrument.5. A music store gets your love of music.
Local music stores are born from an intense love for music—and they are in business to share it. The staff at your local music store usually comprises teachers or performers and are life-long students themselves— constantly expanding their musical horizons, and eager to share their passion and knowledge with customers.4. A music store is personable.
Your local music store staff will take the time to get to know you and your musical needs to help keep you motivated as you reach your goal of becoming a musician.3. A music store will understand
. Be it time or budget, the team at your local music store understands your daily constraints, fears, or worries about playing music, and can work with your schedule and resources, or help to address any of your concerns.2. A music store is flexible.
Local music stores offer flexible financing, such as monthly payment plans and extended hours of operation for your convenience. Contact your local music store today to see what they can do for you!1. A music store CARES.
Local music stores are eager to help anyone in the pursuit of becoming a music maker and improve countless lives through music. For example, staff members often give up their time to attend school board meetings and fight for your kids’ music education programs. Whether you are continuing or just beginning your musical journey, visit your local music store to experience the proven benefits of playing music!National Music Store Weekend (May 6-8, 2011)
As so many musical dreams start in the most humble of places, NAMM will wrap up National Wanna Play Music Week by honoring the hub of all things musical—the local community music store. NAMM encourages existing and aspiring musicians to visit their local music stores and experience the enjoyment and many proven benefits of playing music.About NAMM’s Wanna Play? Public Awareness Campaign
NAMM’s national Wanna Play? public awareness campaign is dedicated to increasing awareness of the proven benefits of playing musical instruments for people of all ages. Since the campaign’s launch in November 2006, the key messages about the fun and many proven benefits of playing music have reached millions of people through national public relations efforts. In addition, Wanna Play? has the support of more than 100 celebrities, including Jack Black, Jeff Daniels, Robert Downey Jr., Band from TV, Orianthi, Kara Dioguardi and Gary Sinise. For more information and to get involved, interested parties can visit www.wannaplaymusic.com.
About NAMM
The National Association of Music Merchants, commonly called NAMM in reference to the organization’s popular NAMM trade shows, is the not-for-profit association that unifies, leads and strengthens the $17 billion global musical instruments and products industry. NAMM’s activities and programs are designed to promote music making to people of all ages. NAMM is comprised of more than 9,000 Member companies. For more information about NAMM, please visit http://www.namm.org or call 800-767-NAMM (6266).
Since 1979, DRUM WORLD has been providing the needs of musicians in the percussion field in the Bay Area. Whether it is drum set, hand drums or symphonic percussion, DRUM WORLD has been there to fill the needs of professionals , “weekend warriors”, hobbyists, and students alike.
Lessons / Scheduling: Learn the basic techniques and rudiments of drumming. Rudiments are not boring at all if you can apply the new figure you’ve learned in its simple form directly to the drum set. With practice, our excellent instructors can show you the way. Students learn technique, reading and a variety of styles. Call us at 650-572-9900 to schedule your private lessons.
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Schedules vary per instructor. Lessons are $35 - $40 per half hour. Instructors are paid directly by the student. Each studio is equipped with two drum sets (for teacher and student). Lessons are also available for World Percussion drums; bongos, djembe, and conga.
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Requirements:
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Practice pad with stand
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Drum sticks
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DVD ‘Getting Started On Drums’ / Book (s) will be assigned by instructor
DRUM WORLD’S teaching staff are well known musicians and teachers; Tom Metropoulos, Bob Blankenship, Hanne Andersen, Rob Hart, Danny Descalzo, and Matt Germano.
Education: Drum Clinics / Master Classes
DRUM WORLD brings in many world-famous percussionists for clinics and master classes in all specialties as Jazz, Rock, World, Latin, Afro-Caribbean, and Brazilian. Some artists that have honored DRUM WORLD with their musicianship are, Hal Blaine, Stanton Moore, Nioshi Jackson, Louie Bellson, Billy Cobham, Steve Smith, Giovanni Hildago, Terry Bozzio, Chalo Eduardo, Jorge Bermudez, Armando Peraza, Joe Morello, Walfredo Reyes, Jr., Jules Radino, Chuck McPherson, to name a few.
Curriculum: Books, DVD’s, CD’s
Reading: Drum Method for Snare and Drumset
Technique: Rudiments - Stick Control, Funky Primer, Drum Fills, Groove Essentials, Tommy Igoe Groove Essentials
Coordination: Syncopation, Realistic Rock, Advanced Tecniques for Modern Drummer
Reference: On The Beaten Path – Drummer’s Guide to Musical Styles
Drummers: Get Educated
For more information on world famous drummers, go to: http://www.drummerworld.com/
Gear: Affordable Prices
DRUM WORLD also carries quality gear at great prices. Let our staff help you select that quality drum kit with all the correct components. Dont’ buy cheap, buy smart! Educational books and DVDs are also in stock. Yes, we are online too! Support your local stores.
Whatever your percussion needs, please give us a call, visit our web site
www.drumworldsf.com, or visit us at:
DRUM WORLD 1220 S. El Camino Real, San Mateo, CA 94402, Tel (650)-572-9900, Fax (650) 571-7553
Since 1979, DRUM WORLD has been providing the needs of musicians in the percussion field in the Bay Area and now Guitar and Bass as well. Whether it is Rock, Blues, Jazz or Classical, DRUM WORLD has been there to fill the needs of professionals, “weekend warriors”, hobbyists, and students alike.
Lessons/Scheduling:
Learn the basic techniques and styles including chords and scales. These basic techniques are not boring at all if you can apply the new information you’ve learned in its simple form directly to the instrument. With practice, our excellent instructors can show you the way. Students learn technique, reading and a variety of styles. Call us at 650.888.6160 to schedule your private lessons.
Schedules vary per instructor. Lessons are $40 per half hour. Instructors are paid directly by the student. The studio is equipped with all the equipment and internet access needed to challenge and inspire the Student and Teacher. Lessons are available for all styles and all levels
Requirements:
Guitar (any type, acoustic or electric, will work to begin with, no need to bring your own amp)
Picks, Guitar Tuner and later maybe a Capo or Guitar Slide.
Books: See recommendation list below and ask your teacher.
DRUM WORLD’S Guitar/Bass teaching staff is well known teacher John Mello John Mello has been teaching music for more than 25 years. While being the Manager at Wollmer’s Music, from 1985 to its closing in 2006, John has taught hundreds of students of all levels from the very beginner, looking to just enjoy playing some of the music they love, to advanced students coming to him to fine tune their playing skills. Even before graduating from Musicians Institute’s Guitar Institute of Technology (GIT for short) with the Gibson Guitar sponsored Outstanding Student Award John knew he was going to specialize in teaching as wide a variety of styles as possible. He has continued to broaden his experience by attending educational seminars and retreats with the likes of Tuck Andress, Robert Fripp, Joe Pass, Frank Gambale and many others. John went on to become part of the core faculty with one of his favorite GIT teachers, Vic Trigger, who created the Bay Area’s Guitar Activity Center. GAC was a teaching and live performance workshop program that had three schools in Mountain View, Berkeley and Sacramento. John also conducts the Rock School seminar during Baywood Elementary School’s annual Arts & Science Day.
Curriculum: Books, DVD’s, CD’s
Blues/Rock:
Complete Blues Guitar Method: Beg. Blues GuitarPlay Along Song Books:
Ultimate Beg. Series Guitar Jam /W Songbook: Classic BluesUltimate Beg. Series Guitar Jam /W Songbook: Classic Rock
DVD: Fender Presents Getting Started on Electric Guitar/Acoustic Guitar
Technique / Reading: See teacher
Musicians: Get Educated
Let our staff help you select the right gear for you.
Don’t buy cheap, buy smart!
Educational books and DVDs are also in stock and can be special ordered. Yes, we are online too! Whatever your musical needs, please give us a call, visit our web site www.drumworldsf.com. OR visit us at:DRUM WORLD 1220 S. EI Camino Real, San Mateo, CA 94402, 650.572.9900
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| Gretsch Renegade is a complete drum set package designed specifically for the entry-level drummer and packed with value. Toms have “quick” sizes, which provide punchy tones and allow for lower positioning that benefits younger drummers. | ||||||||||||||||||||||||||
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| Gretsch Energy drum set package comes complete with hardware and Sabian SBR cymbals - 13″ HH, 16″ crash, 20″ ride. | ||||||||||||||||||||||||||
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| Hardware is double braced and includes stylized Gretsch Energy pedal boards. All Poplar shells have 30-degree bearing edges, and feature 5 lug configuration on 10″ and 12″ toms with Gretsch style lug that draw from the rich Gretsch lineage. The Gretsch Energy series is perfect for the first time buyer and packed with features that are found on semi-pro drum sets, including non-drilled bass drum and pre-muffled bass drum heads.
Available Finishes: Grey Steel, White and Black |
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| For complete details on Gretsch Renegade and Energy Series kits, please visit: www.gretschdrums.com | ||||||||||||||||||||||||||
Call Drum World 650-572-9900 to order yours now!
Equating “On Sale” With “Good Deal”
Consider drum sets: Both are $500, but one is marked down from $800. Which one do you buy? If you’re being reasonable, you buy the one that got the better rating in Music Consumer Reports. But most people buy the one that’s on sale. In fact, even people who would never have spent $500 on a drum kit often will when it’s discounted — simply because it’s so cheap! I got the deal, maybe?, NOT! Have anything used? Is that better? Not necessarily true.
In reality, $500 is $500. If you wouldn’t normally spend that much on a drum kit (or any product, for that matter), you shouldn’t do it now. We’ve been fooled by “anchoring”: the illogical, but nearly inescapable, tendency to base our estimates of value on the nearest number we see, rather than an independent assessment. Just because the tag has $800 crossed out and replaced by $500, that doesn’t mean $800 was a meaningful price. What is the cheapest drum kit you have? Don’t be confused here! Don’t buy ‘cheap’, buy smart. Musical instruments have value.
Before you pull out your checkbook or credit card to splurge at a sale, evaluate whether the product, be it a television or a drum kit, is worth that price in enjoyment. Consider how often you’ll use it, for instance, and whether you can get something of similar quality for less. Don’t buy cheap, buy smart. If you don’t follow that rule, you will end up with junk in the garage. It is also recommended to purchase your instrument at the local shop where you take lessons. Support your community and local retailer. You want a great deal AND fair price, along with service. Play on a good set of drums.
Drumming vs. Drumming In A Band
August 5th, 2010 Written by: Scott Honsberger
We watch a performance like that and think ‘Wow, now THAT is drumming!’ and we work towards it as the pinnacle. We hit the rehearsal room (or the basement) and funnel the inspiration into creating something new and magical on our own. It’s how we grow our musical minds, and I personally love this process.
There’s no question that the performance like the one above is incredibly motivating, and it’s so much FUN to see great drummers doing their thing. However, it’s really important to keep in mind that solos like that are meant to stand as a piece of music unto its’ own. Creating great parts for songs as part of a band is a much different process.
As drummers, I think we can often feel a bit slighted by the lack of attention and/or appreciation that we get. There are probably more drummer jokes out there than any other instrument (except maybe the bagpipes), and at a gig, we sit at the back of the stage while singers get the crowd going and guitarists rip into a solo with their foot up on the monitor. We want OUR parts to be noticed!
To this end, I’ve seen far too many drummers try to add complicated parts to songs to try and prove their worth and get that attention. I, too, have been guilty of this. I’ve created a part that I thought was really great: alternating between the bell and the ride, using ruffs and ghost notes in between beats on the snare, maybe throw in a little syncopation… and what happens? On playback (in the studio), it just…doesn’t…work.
It’s important, then, to give ourselves a reminder about our roles when playing with a band. To this end, I’m reminded of one of my favorite drummers by the name of Johnny Fay, who plays with Canadian band The Tragically Hip. If you don’t know the name, don’t feel out of the loop: he doesn’t get much industry attention, he’s never been on the cover of MD, and he’s probably never done a workshop. Why do I love his drumming? Because his parts are always rock solid, they hold the songs together, and most importantly, they suit the songs perfectly. For a great example of this, check out the song “Fully Completely” off of the album of the same name. The kick drum pattern is bang on with the bass guitar, it drives the track forward, and it’s simple. THAT’S drumming… in a band.
When you’re working on your own bands’ songs, then, keep in mind what the real pinnacle should be about for your parts when playing in a group: a balance between creativity, originality, and playing what suits the song. To me, that’s what being a great drummer is all about.
What are your thoughts? Any tips on finding the perfect part for a song?